Boy is a dreamer who loves Michael Jackson. He lives with his brother Rocky, a tribe of deserted cousins and his Nan. Boy’s other hero, his father Alamein, is the subject of Boy’s fantasies, and he imagines him as a deep sea diver, war hero and a close relation of Michael Jackson. In reality Alamein is an inept, wannabe gangster who has been in jail for robbery. When Alamein returns home after seven years away, Boy is forced to confront the man he thought he remembered, find his own potential and learn to get along without the hero he had been hoping for.
Source: New Zealand Film Commission
A fresh and brilliantly told memoir from a cult favorite comic artist, marked by gothic twists, a family funeral home, sexual angst, and great books.
This breakout book by Alison Bechdel is a darkly funny family tale, pitch-perfectly illustrated with Bechdel’s sweetly gothic drawings. Like Marjane Satrapi’s Persepolis, it’s a story exhilaratingly suited to graphic memoir form.
Meet Alison’s father, a historic preservation expert and obsessive restorer of the family’s Victorian home, a third-generation funeral home director, a high school English teacher, an icily distant parent, and a closeted homosexual who, as it turns out, is involved with his male students and a family babysitter. Through narrative that is alternately heartbreaking and fiercely funny, we are drawn into a daughter’s complex yearning for her father. And yet, apart from assigned stints dusting caskets at the family-owned “fun home,” as Alison and her brothers call it, the relationship achieves its most intimate expression through the shared code of books. When Alison comes out as homosexual herself in late adolescense, the denouement is swift, graphic — and redemptive. –
Certain images, art objects and art styles have embedded themselves in the consciousness of many New Zealanders. But why and how have they become part of our visual vocabulary? Oliver Stead has had the difficult task of not only selecting 40 of these iconic works but putting them into a context of New Zealand art history.
For early Maori, art was inseparable from daily life, whether it was the pattern on a sculpted spade handle or the magnificently carved prow of a war canoe. Julie Paama-Pengelly traces the evolution of art and design in historic Maori culture and brings that art to life, focusing on four major disciplines:
– Weaving and fibre arts: includes tukutuku, kitemaking, basketry, netting and clothing
– Painting and pigmentation: includes rock drawing and painting wooden objects
– Sculpture and carving: includes stone, bone, wood carving and patterning
– Architecture and structural arts: includes villages, storage and meeting houses, burial structures and bone containers.